Friday, August 10, 2007

Daily Figment 37

daily_figment_02The news has traveled pretty quickly around the interweb: the Disney-MGM Studios will officially be re-named the Disney Hollywood Studios as of January 2008.

I love this change for several reasons:

  1. It harkens to the early days of filmmaking. Not only historic Hollywood, but early Disney animated films. There is a certain glamour associated with the name.
  2. Hollywood Boulevard, Sunset Boulevard and Echo Lake are already perfectly themed for the name change.
  3. Choosing this name over the Pixar and ABC compilations that have been bandied about makes a lot more sense. After all, Pixar and ABC are both owned by Disney. Would choosing Pixar be regarded as calling the park The Disney-Disney Studios? Choosing Pixar as a name would have branded the park a little too narrow-ly. Especially since Pixar characters (which are actually Disney characters) have made it into all of the parks.

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So, what do you think about the change? I think that this re-aligns the park. Sort of like what they did to Tomorrowland in the late 1990's. The Hollywood that never was. Disney can move away from the idea of the park as an actual working production studio and into the theming of a movie and television theme park.

dmgm_ded

Photographs courtesy of the ETM Photo Explorer.

Gorillas Don't Blog about Plastic Houses

Check out Major Pepperidge's post about an April 1956 Popular Science article about a plastic house.

What's so important?

It just happens to look exactly like the Monsanto House of the Future from Disneyland. Major poses some interesting questions and presents scans of the article. Gorillas Don't Blog offers pictures and slides of Disneyland from long ago. Seeing guests in suits and dresses walking around a theme park is worth the price of admission. Seeing the differences that 50 years will make in a theme park is mind boggling.

Thursday, August 9, 2007

Daily Figment 36 - Best. Ride. Ever

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Best. Ride. Ever.


I experienced the Indiana Jones Adventure at Disneyland for the first time in 1996. I was able to do it again in 1998. On both occasions, I rode it multiple times. Hands down, it is the best total ride experience that I have ever had. Splash Mountain and the Haunted Mansion still reign as my favorites, but the Indiana Jones Adventure is the most amazing. The queue is so long and so well themed that it actually takes you about 10 minutes of walking just to reach the ride vehicles. The queue actually changes as you progress into the Temple of Mara. You delve deeper and deeper into the ruins and the excavation. Artifacts and sprung traps line the walkways and walls. Eventually, you make it to the ride vehicles. The queue for Pirates in Orlando could almost be compared to Indy.

Almost.


Explaining the ride is difficult. Music, sounds and danger! You hear the heroic film score and you squeal around corners. Blow darts whistle pass your head.

Snakes. Why'd it have to be snakes?


Snakes, why does it always have to be snakes...


I hate snakes, Jock! I hate 'em!


The Temple of the Forbidden Eye.


Looking at the concept art, you get a great feel for an absolutely perfect Blue Sky ride design. Looking clockwise from the left, you see: the Indy ride vehicles, the Disneyland train, the Jungle Cruise boat and the proposed runaway mine car attraction.

indy_collage

So, not only would we have the Indy ride, but you would have seen a glimpse of it from the train and the Jungle Cruise. Can you imagine the jokes from the Jungle Cruise Skipper. "Yeah, so if you don't start laughing now..."; "My last crew ended up working somewhere in here...when they didn't laugh at my jokes!", "We're not out of danger yet--this is headhunter territory. Remove your jewelry please. The natives have been complaining of indigestion."; "See that guy, he'll whip you into shape!"

And a really cool mine car roller coaster with loops!


This artwork and a lot more can be found in The Art of Disneyland. Full-color illustrations showing the genesis of attractions and rides at Disneyland. A must for any theme park enthusiast or collector.

Wednesday, August 8, 2007

Daily Figment 35 Happy Birthday!!!!












In honor of the Disneyland Haunted Mansion's 38th birthday tomorrow, I thought I would pay homage by pointing out one of the treats of opening day in 1969. Disney partnered with Carnation to create themed sundaes called I Scream Sundaes. This Disney Geek loves only one thing more than Doritoes: Ice Cream. So raise your spoon and consume a shreiking sherbert in a cryptic cone with whacko whipped cream and a chilling cherry on top to one of the most complete attractions ever built.


For some amazing backstory, great concept art, and comparions to the other Haunted Mansions around the Disney world, check out Jason Surrell's The Haunted Mansion: From the Magic Kingdom to the Movies (Disney Editions, October 2003).

Tuesday, August 7, 2007

Daily Figment 34 - Book Review: The Disney War

Media Review

There has been so much talk lately about the rekindled flame between Disney and Pixar with some even referring to Lasseter as 'Uncle Lasseter'. I am a true Lasseter believer but have so much caution for coronating him after reading Disney War, by James B Stewart. The references to Eisner being the second coming of Walt early in his tenure at Disney are prevalent in the media at the time. Certainly the buzz on the internet recently has often fallen in the vein of John the Saviour. This book serves as the grandest of cautionary tales, carefully laying out the history of failure at its most visible levels.

Those who know me well know I have been obsessed with this book recently. At over 590 pages, it felt like a relationship. Admittedly, one of my longer relationships.

In the past few months I have read five or six books about Disney, ranging from biographies to field guides, and none of them has captivated me like this book. James Stewart displays an amazing ability to make the non-fiction seems like fiction. Chapters flushed with facts and details are steadily crafted in a digestible and organized manner, sometimes a problem for non-fiction works. Most of all though, the sheer volume of insider information that you feel privileged to read is overwhelming. In the end, the book serves as a scathing indictment of Michael Eisner. Stewart completely reveals the arc of Eisner, painting him early as the genius that saved Disney, and then as any tragic Shakespearean character, as one who lets power intoxicate judgment. The following passage illustrates some of how deep this feeling of coronation ran in Eisner as Stewart recalls a conversation he had with him in his final years as CEO and Chairman:

After some more conversation, and just before we leave for dinner, Eisner gets a pen and a piece of paper. "Disney is a French name, not Irish," he reminds me. "Now look at this." He writes "D'Isner," "Deez-nay," as the French would pronounce it, "is Eisner without the D."

Uh, Mr Eisner, Walt is tired of turning over in his grave. Would you please refill your prescription for crazy pills and stop playing Boggle with the alphabet to tie yourself to the Disney family? Thank you....Oh yeah, back to the book.

The book is divided into three sections: The Wonderful World of Disney, The Disenchanted Kingdom, and Disney War. No explanation needed to reveal the general tone of each section. This is the simplest way to describe the arc of Eisner's career. As a testament to Stewart, I felt each section was more addictive than the previous. The deep, detailed accounts of his relationships with Katzenberg and Ovitz dominate the landscape and present him as neurotic and uncontrollable.

What made the deepest impact was the pointed way in which Stewart revealed the flaws of Eisner as he became more entrenched in defending himself. Earlier Daily Figments have pointed to some of the brilliant things he did, such as saving the Imagineers from the chopping block. (Ed. note- Splash Mountain is the Thriller of attractions) The following passage does the opposite, truly showing how Eisner failed to consider any threat to his throne:

In the course of renegotiating the Disney relationship with Pixar, Roth presented Eisner with a proposal that would both solve the issue of succession (Ed note- Eisner would not name a President to succeed Wells and therefore, no successor to himself.) and address the faltering performance of the animation division. It was admittedly bold: Disney should buy Pixar (as it could have done years earlier) and merge its own animation division into it. "Make it all digital," Roth urged. "That's the future." As part of the deal, Eisner should make Steve Jobs, Pixar's chairman, president of Disney. "Jobs is a darling of Wall Street," Roth argued, "And you'd get John Lasseter, the greatest creative mind to ever come out of Disney."

The idea went nowhere.

At any time in the buildup to Eisner's ousting, any person could see the merit in this idea. Eisner could have written himself another ten year contract based on this move alone. But as all tragic characters falter, so goes the phrase, "L'etat, c'est moi".

I have heard other Geeks say they have hesitated on reading this as they are uncomfortable with the Disney dirt. Please, read away as this book only made me understand the depths of stewardship we have in protecting Disney. As brother Roy campaigned for "Save Disney" to out Eisner, he was exercising his ability to shepherd Disney back into the greener pastures of creative content that had become barren under Eisner in his later years. I know you will enjoy this read, although you may be sad when it ends its relationship with you. After 590 pages, this is how you treat me???? Another relationship ended.



Monday, August 6, 2007

Daily Figment 33

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In honor of our 33rd Daily Figment:

DSC_2048Club 33 at Disneyland is a very special and exclusive dining establishment. It is located somewhere in New Orleans Square at Disneyland. It is difficult to find, unless someone shows you where to look. The door color is actually a special color created by the Imagineers. They have two that they use to hide doorways and show buildings (like Soarin' at Epcot): a special green and gray. Apparently the gray disappears and the green is simply a color that most people don't even notice. Club 33 is also the only place at Disneyland to serve alcoholic beverages.DSC_2045

How do you get in?

Well, besides taking the In Walt's Footsteps Tour that Ray over at Grumpy's Hollow took, you have to purchase a membership.

What?

Yes, purchase a membership.

Wikipedia has a great article about the Club 33 membership. In a Disney Geeks nutshell:

  1. The wait list to buy a membership is 14 years (and actually closed in April 2007).
  2. $25,000; 10,000; or $9,500. This does not include annual fees.
  3. Free admission to Disneyland on the day of a Club 33 reservation.

DSC_2046Even if you take the tour, you only get to see the lobby and elevator area.

Another mystery is the actual name of the club. No one really knows, or talks about, the origins of the name. Rumors abound, though. Is it a Free Masons code? Is it alcohol related? Or did it have something to do with the original backers?

Will we ever know?

DSC_2052

Will we ever get to dine at Club 33?

Can I think of any more questions to ask?

Well, not right now.

Thanks for sticking with us through 33 Daily Figment posts. We have really enjoyed bringing them to you and sharing our love of Disney stuff (that is a technical term, by the way).

All of the photos on this page are courtesy of Ray from Grumpy's Hollow. You can check out all of his posts about his recent Disneyland and Disney's California Adventure trip. Make sure to leave a comment while you are there. He is really not as Grumpy as his namesake!

Sunday, August 5, 2007

Saturday, August 4, 2007

Daily Figment 31

daily_figment_02mexico_02Past Time

In attempting to capture the spirit of the Mexican people, Imagineers turned their attention to the origins of that spirit. The resulting pavilion is derived from, elements of each of the major pre-Colombian civilizations--the Mayan, the Toltec, and the Aztec--as well as from the Spanish influence that has shaped their architecture and design.

The pyramid you enter to visit Mexico is a composite of Mesoamerican motifs dating back to the 3rd century, emphasizing the Aztec style. Once inside, you find yourself in a gallery showcasing Mexican arts and crafts. The Sun Stone--or Aztec calendar--marks the way to the Plaza de los Amigas (Plaza of Friends), an open air marketplace brimming with activity. This market and the adjoining restaurant are placed in a nighttime setting in order to be more authentic to the operating hours of a typical Mexican market. The Spanish-tinged Cantina de San Angel is based on the San Angel Inn of 1692.

mexico_in_02

--p. 78, The Imagineers,The Imagineering Field Guide to Epcot at Walt Disney World

Photos courtesy of the ETM Photo Explorer.

Bothan Spy Report

One would hope that Honor Hunter's Bothan spies didn't die for this information.

Honor has another great Blue Sky Alert. This time it is about Disneyland and Disney's California Adventure. If half of what Honor writes actually comes true, I will be splitting my time between Disneyland and Walt Disney World.

E-tickets, hotels and DVC. Oh my!

Friday, August 3, 2007

Daily Figment 30 - Dick Nunis

The Windows on Main St, USA at the Magic Kingdom in Walt Disney World are a source of pleasure for any Disney Geek. How many normal vacation goers ever take a look up (or as Jeff says, "Look down!") and even notice the names, slogans and tributes.

Walt started the tradition of honoring and thanking cast members that helped to create Disneyland. The tradition moved to the other Magic Kingdom style parks throughout the years.

The first window I wanted to look at was the one for Dick Nunis. His resume reads like a dream. Can you imagine being part of the Disney theme park experience from the beginning? Or being the responsible for over 50,000 cast members? I can dream it.

He was hired in 1955 by Van France and the two of them began what would become the Disney Traditions training that all cast members received. In 1961, he was promoted to director of park operations. Walt tapped him to work on Project X (what we now call Walt Disney World) and in 1971, he was named executive vice-president of Disneyland and Walt Disney World. 1980 saw him promoted to president of the Outdoor Recreation Division (volleyball, anyone?) .

He retired on May 26, 1999.

44 years, exactly.

My question to you? What do you think the Turkish Baths stands for?

Thursday, August 2, 2007

Daily Figment 29




Please please please watch this. It is so Grumptastic!

It's only two minutes of your life and you will probably watch it more than once.

Wednesday, August 1, 2007

Daily Figment 28

EPCOW

(Experimental Prototype Community of What We Thought Tomorrow Might Look Like in 1982 but Undershot and Actually got 1992 at Best)


With so much attention being placed on the developments at Epcot recently (i.e., the wand coming down, the addition of Nemo
to The Living Seas and the updated Three Caballeros attraction), I thought I would add my three cents. [ed. note-that's one better than two.]

With so many positions and so many of them in direct opposition, even the majority of the posters out there that reside on either side of the fence would agree that Epcot is still fun, even though its mission may have become diluted or watered down. The intent of these ramblings is to bring us back to the center of the target; a collection of quotes and other media that will paint a broader picture of Epcot. To help us see this Disney Geek's opinion of Epcot's missed mission and therefore, its missed opportunity.

Let's start with the obvious, an excerpt from a speech written by Marty Sklar and delivered by Walt Disney in 1966, outlining the tense of Epcot. Even if you have read this a thousand times, read it again and judge where we are today in the life of the park in the context of this concept introduction speech.

Epcot will be an experimental prototype community of tomorrow that will take its cues from the new ideas and new technologies that are now emerging from the creative centers of American industry. It will be a community of tomorrow that will never be completed, but will always be introducing and testing and demonstrating new materials and systems. And Epcot will be a showcase to the world for the ingenuity and imagination of American free enterprise.

Obviously you can make an argument whether or not these directives are being accomplished, but I would say that Epcot has strayed far from these concepts with the current changes at the park. While the mission above seems to be pretty clear, even in some of Disney's own literature that came out later (Walt Disney's EPCOT Center, 1981), the mission becomes a little more diluted. The focus of the passage below seems to move more towards entertainment:

While entertainment will continue to be a highly visible attraction of Epcot Center, it is the underlying educational value of Future World that is its most important contribution. Exciting, amusing, and fascinating as each pavilion is in itself, it is but an element of a project that may well be viewed as a springboard to our discovery of new worlds.

1966--no mention of entertainment as a focus. 1982--EPCOT seems to be about edutainment more than being a true city of tomorrow.

My main problem is that the city of tomorrow as envisioned in the 80's was outdated in the late 90's. I have visited Innoventions five times in the last 11 years and the last truly innovative thing I saw there was HD TV on display in 1996. I have made it a point, as I visit there, to look for the next new technology that blew my mind like HD did back in 1996. Since then, nothing.

Don't get me wrong, I LOVE Soarin'. Who wouldn't? But is it a fulfillment of the Walt quote above? See, I think we are missing the point with all of this stress about the wand coming down and the Nemo overlay. It is certainly worth discussing, but for goodness sake, we are taking our eye off of the ball. The next person that argues that Mission: Space is an example of partnering with American free enterprise to showcase our ingenuity for the world is going to be flogged sixty times with a churro. Cool ride, yes, but innovative, not really. The centrifuge has been used since the 1700's in scientific applications and has been used in the same application as Mission:Space for over forty years to train astronauts and pilots. Epcot has long missed the point. Until Disney frees itself of the nostalgia crunch it is currently in with this particular park, Epcot will never be what Marty and Walt envisioned in the sixties. It lived up to its original honus for approximately 12 years until the future the Imagineers dreamed of quickly passed them by.

Can we rip down attractions and put new ones up every time a new technology is invented? Of course not, but that is why the centerpiece of the park is the cradle surrounding Spaceship Earth...INNOVENTIONS. (Note to Imagineers: Sonic the Hedgehog video game is not innovative anymore)

My view of Epcot is colored to the point that I will always love it, no matter what future direction it takes, but how has missing the mark colored the park for the average ticket buyer? Watch this and laugh:



At first this upset me a little because I love Epcot so much that it made me feel defensive. But really, though, no really....this is so funny and so exaggerated that it reeks of the truth. Oh how I pine for what it must have felt like to walk through Epcot in 1982 and be blown away by Disney's vision of the future.

Blow our collective minds Disney. We all know you can do it and we all have had it done at some point in the past. For the sake of Epcot and not Epcow, do it now.